Agh! Stupid, stupid, stupid ethics, I HATE them. I just found a nice cellphone and an envelope with $65 in it in the bulk foods section of Save On. And like the moronic yet essentially ethical person that I am, I marched my find up to the customer service counter and explained the situation. Well no, actually, I stood in the bulk foods isle for a couple of minutes first, yelling internally at myself to TAKE THE DAMN MONEY AND WALK AWAY while trying not to look like someone who was in the midst of a debate between her opportunistic avarice and dumbass empathy. I really think that if it had been $100 in that envelope, it would be in my pocket right now, because there is only so much temptation one can be expected to withstand. But damn it, I turned everything in, and now for all I know the girl behind the counter is just going to keep the money for herself, and my "doing the right thing" will have accomplished nothing but depriving me of a whole bunch of wonderful, delicious money. The worst part is that found money is the BEST kind of money. Money that I've worked for always feels so pleasureless and inadequate. The amount is never enough to be worth the time I had to spend to earn it, and there's always something practical and joyless that the money ought to be used for. But found money is different. It is free and frivolous money, a gift from the universe, an invitation to indulge, to buy something luxurious that I wouldn't be able to derive pleasure from buying with earned money because it wouldn't feel worth the price.
My only consolation is that I have a journal in which I can pat myself on the back for Doing The Right Thing. If I'd taken the bills I don't actually think I'd feel guilty, but I also probably wouldn't be in a hurry to hop on the internet and announce that I'd pocketed some poor forgetful person's money. Besides, the universe has been fairly kind to me so far this year, and while I don't really believe in karma, I do think there's something to be said for paying it forward in a cosmic sense.
Okay, I feel a little better now. Marginally.
In other news: OMG MARTIN FREEMAN WAS THE EUROPEAN JIM HALPERT?!!*
Up until a few days ago I was not aware that Martin Freeman's role in The Office was Tim Canterbury, the UK's equivalent of Jim Halpert. God that's unnerving. Jim is one of my favorite male characters, so the fact that Martin Freeman played the character who became the prototype for Jim is pretty brain-breaking. Especially because I first found out that Martin played Tim when I was on tumblr and I came across a bit of fanart featuring John-as-Tim and Sherlock. My brain went, "Hang on, why does John look like a short Jim Halpert in this picture?" and then I asked Wiki and Wiki informed me about Tim, and suddenly the whole "made of kittens" thing made sense on a whole additional level. I took The Office UK S1 out of the library and watched the first four episodes, but it's just too uncomfortable, and only makes me want to watch the US version over again. Besides, I don't think I can bear to watch Tim be heartbroken over Dawn; Martin Freeman's face has me too conditioned to care.
*Yes, I know that technically Jim is the American Tim Cavendish, not the other way around. It's not my intention to be a North American chauvinist, it's just that the American version of the show is the version I saw first so for me it takes precedence.
Also, writing this tempted me into watching some Jim/Pam vids on youtube, like the cliché of a fangirl that I am, and really HOW ARE THEY SO WONDERFUL? They have the best canon shippy moments I've ever seen. Their shippy moments are as good as the shippy moments in really good fanfic. I feel like there is some kind of emotional law that dictates maximum shipping potency in a canonical context, and somehow Jim and Pam manage to surpass the maximum limit of that law. I know it has a lot to do with the way the show is filmed. The way the cameras are active voyeurs, and spies, and unbiased observers all at the same time, and the way the characters will reveal themselves by acknowledging or ignoring the camera. It creates a kind of intimacy with the characters that wouldn't otherwise be possible. They react to situations by glancing at the camera to check if they've been caught out, or if the camera is following the situation. Or conversely they forget about the camera and presume they aren't being watched, and their faces speak plainly what they would otherwise conceal. I definitely need to rewatch at least the first two seasons.

